Our Kit2019-08-02T22:06:05+00:00

OUR KIT

AERIAL FILMING AND PHOTOGRAPHY

Our main UAV is the DJI INSPIRE 2 equipped with a Micro 4/3 sensor and the Zenmuse X5S camera which has a dynamic range of 12.8 stops ranging from F1.8 -F22 and is fully adjustable remotely. We use arange of interchangerble lenses (including zoom lenses) with focal lengths ranging from 24mm-90mm (35mm equivalent).
INSPIRE 2 UAV  has impressive manoeuvrability with a top speed of 92kmph(58mph) and great camera stability at all speeds even in gusty wind conditions. This makes it very versatile in the type of work its suited for which can be anything from close up stills to high speed action and sports coverage.

 

STILLS

Continuous DNG (RAW) burst shooting at 20fps

CMOS, Micro 4/3 20.8 MEGA PIXELS sensor

12.8  Stops dynamic range

Max ISO 25600

 

DEDICATED PHOTO MODE

Format

JPEG

Resolution = 72 pixels/inch

Format

DNG(RAW)

Resolution = 240 pixels/inch

Image size

4:3 5.2K (1.3:1) 5272 x 3948

16:9 5.2K (1.7:1) 5272 x 2970

DURING VIDEO CAPTURES JPEG ONLY AT VIDEO RES

Format

JPEG

Resolution = 72 pixels/inch

Image size

(17:9 ratio video) 4K DCI: 4096×2160

(16:9 ratio video)4K Ultra HD: 3840×2160

(2.44:1 Anamorphic ratio video)4K Ultra HD: 3840×1572

2.7K: 2720×1530

FHD: 1920×1080

 

VIDEO

12.8 Stops dynamic range

Max ISO 6400

Format

 H.264/H.265,  MOV, MP4  CinemaDNG (RAW), Apple ProRes 442HQ/4444XQ(no alpha),

Image size

Aspect Ratio 17:9

CinemaDNG
C4K DCI(Digital Cinema Initiative): 4096×2160 23.976/24/25/29.97p,up to 2.4Gbps; 50/59.94p, up to 4.0Gbps

H.264
C4K DCI: 4096×2160 23.976/24/25/29.97/47.95/50/59.94p @100Mbps

H.265
C4K DCI: 4096×2160 23.976/24/25/29.97p @100Mbps

Aspect Ratio 16:9 (1.7:1)

CinemaDNG

5.2K: 5280×2972 23.976/24/25/29.97p, up to 4.2Gbps

4K Ultra HD: 3840×2160 23.976/24/25/29.97p,up to 2.4Gbps; 50/59.94p, up to 4.0Gbps

ProRes
4K Ultra HD: 3840×2160 23.976/24/25/29.97p,
422 HQ @900Mbps; 23.976/24/25/29.97p, 4444 XQ @2.0Gbps

H.264
4K Ultra HD: 3840×2160 23.976/24/25/29.97/47.95/50/59.94p @100Mbps
2.7K: 2720×1530 23.976/24/25/29.97p @80Mbps; 47.95/50/59.94p @100Mbps
FHD (Full High Definition): 1920×1080 23.976/24/25/29.97p @60Mbps;47.95/50/59.94p @80Mbps; 119.88p @100Mbps

H.265
4K Ultra HD: 3840×2160 23.976/24/25/29.97p @100Mbps
2.7K: 2720×1530 23.976/24/25/29.97p @65Mbps;
47.95/50/59.94p @80Mbps
FHD (Full High Definition): 1920×1080 23.976/24/25/29.97p @50Mbps;
47.95/50/59.94p @65Mbps; 119.88p @100Mbps

Aspect Ratio 2.44:1 (anamorphic)

ProRes
5.2K: 5280×2160 23.976/24/25/29.97p, 422 HQ @1.3Gbps

H.264/H.265
4K Ultra HD: 3840×1572 23.976/24/25/29.97p @100Mbps

 

GROUND FILMING AND PHOTOGRAPHY

We use the Sony A73 (full frame) and A6500 (apsc) cameras for both  video and photography, which can capture up to 4K video and 6K stills (raw and jpeg)
Anything from  tripod based Static photography to dynamic video shots using a gimble or slider , audio and lighting, can be captured according to the requirments of the shoot.

STILLS

Format

JPEG (DCF Ver. 2.0, Exif Ver.2.31, MPF Baseline compliant), RAW (Sony ARW 2.3 format)

Image size

35mm full frame L: 6000 x 4000 [5834 x 3889 AT 900 DPI] (24M) , M: 3936 x 2624 (10M), S: 3008 x 2000 (6.0M),

APS-C L: 3936 x 2624 (10M), M: 3008 x 2000 (6.0M), S: 1968 x 1312 (2.6M)

VIDEO

Format

XAVC S: MPEG-4 AVC/H.264, AVCHD: MPEG-4 AVC/H.264

Image Size

XAVC S 4K: 3840 x 2160 (25p, 100M),

3840 x 2160 (25p, 60M),

XAVC S HD:1920 x 1080 (100p, 100M),

1920 x 1080(100p, 60M),

1920 x 1080 (50p, 50M), 1920 x 1080 (25p, 50M),

AVCHD:1920 x 1080 (50i, 24M, FX),

1920 x 1080 (50i, 17M, FH)

Ascent Filmworks

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